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What to use for H.264 encoding....

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What is everyone using to create h.264 movies?  My current workflow is to export a Quicktime Reference and use MPEG Stream Clip to compress it.

This workflow works, but it's really slow.  Media Encoder does not support QT Reference so I've ruled that out.

Also, since I'm using an Imac Pro with the Pro Vega 56 graphics card, I should be able to take advantage of the card for hardware encoding.  Radeon is very vague on how to take advantage of this....very.  Is anyone out there utilizing the Radeon Card for encoding?

 

Thanks,

 

 


2020.4 Export location

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In 2019.12 the export location used to be the last place you exported a file. Now in 2020.4 it seems to default to a random folder that I can not change. 

When I have a specific hardrive plugged in it defaults to a particular folder buried in a project on that drive (regardless of whether other hard drives are plugged in or not), but if that drive is not plugged in it defaults to my 'documents' folder.

Tried with the default Avid user settings and default export settings and with newly built User settings and new export settings.

Is there a new 'export to location' setting Im missing?

Avid MC 2020.5.0 (MacOS) DNxHD SQ/HQ Render issue

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My video, when rendering at SQ/HQ look terrible. HQX looks fine. But something is going on where SQ/HQ dont appear to be rendering properly. Is anyone else having this issue?

"some frames got stuck inside decoder driver"

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Trying to transcode MP4 files that were prepped with Media Encoder at 25 mpbs. AMA works ok w/ UME Link - but won't trasncode. Transcodes go to the very end of the progress bar - then fail. Happens with a small chunk of file or full file. Forcing QT as AMA plugin results in "CANT BE LINKED"

OS X Cataline and MC 2020.4

Insert Edit Export - Real world reviews?

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I have been experimenting with this tool for multiple versions.  I really want it to work. But I have yet been able to get a solid, repeatable success.  Just started experimenting with 2018.11 and it was a total bust.

I have worked with Support off and on trying to get to the bottom of my issues with it.  There are just a host of issues which keep changing.

What about others?  Is any one using this successfully in the real world?

Please chime in.

Jef

Audio Mixdown Issue

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Hi 

we've been recently experiencing a very important issue when we create an audio mixdown from our final sequence.

We edit mainly news on location with laptops.

We normally have 3 audio tracks (mono - A1 interview sound bite - A2 natural sound - A3 voice over )

When we're about to export we duplicate this sequence using the Command D shortcut, then on this duplicated sequence an audio mixdown with audio tracks 1 and 3

The goal is to have a finished sequence with 1 video track, 2 audio mono tracks 

A1 the Mixdown of A1 and A3 

A2 Natural Sound

We've been doing this for years with previous versions of Media Composer, with no issues at all.

 

Now, since we upgraded our machines we have a new version of Media Composer 2019.12

This same workfow with audio mixdown is now creating some issues.

Basically when we do some sound edit on A1 and overlay video on the top this edit on A1, when the mixdown is created it clips out a few seconds of the original sound bite.

Please see the picture uploaded with the most recent example that I have experienced.

(I have tried to upload 2 .mov files with a playback from the sequence, but the upload system does not support .mov)

 

Many Thanks

Rui

 

 

 

MacBook Pro (15-inch, 2018) 2.9 GHz Intel Core i9 32 GB 2400 MHz DDR4 

GFX Radeon Pro 560X 4 GB

Intel UHD Graphics 630 1536 MB

Strange (and dramatic) bug in Titler+

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Since the old Title Tool is no longer available in the newest versions of MC I tried to replace titles in the program I have been working for years. (on MC 2018.12.9) I started with the easyest one : a single word, no animation, no effects... I've been very surprised to discover the font I use (and have to use), Letter Gothic Standard is recognized but appears very strangely distorted. 

Orange : original title tool White : Title+

I tried it on 2 different systems and it's the same. But when I open it on PS or any other application it's absolutely normal.

Have you any idea how to fix it (or at least understand it ?)

Transcode issues with linked media in MC 20.5 on Catalina 10.15.5

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I understand that many files are not supported for imported with 20.5 on Catalina, but it seems like any file I try and import fails. I therefore used source browser to link to a media clip, but the audio is out of sync I am also unable to transcode the file.

This is the error prompt i received while attempting to transcode:

Exception: std::exception, what:ameAMAFI::VideoSampleFuture::ProcessResponse(): sequence failed. Tag/sample 4141/4180

Any suggestions / solutions would be greatly appreciated.

 

Thank you.

 

Eric

 

________________________________________________________________________________________

MC 20.5 / Catalina 10.15.5 / 3.6 GHz 8-Core Intel Core i9 / 64 GB 2667 MHz DDR4 / Radeon Pro Vega 48 8 GB


Applying Quick Transition Causes Crash/Unresponsiveness

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I just got a 2019 Macbook Pro 16" and was trying out MC 2020.5.0 on OSX 10.15.4. For the most part it's running great, but I noticed that every time I add a quick transition it causes the whole interface to choke. I am unable to start playback at any point within the sequence, even though I can move the BPI. I've messed with this a bit, and even after removing the transition I'm unable to work so I close and restart Avid. Once the process of reopening Avid begins I will normally have a crash. Opening it a second time works though. If the transition is still applied then I will have to option open the project, otherwise it will crash.

My sequence has a few dissolves in it so I've been able to save those to a bin and apply them that way, which doesn't cause any issues, but this seems like a pretty big issue. I don't believe it has anything to do with my configuration, this is a brand new computer and I have very little additional software on it.

Anyone else experiencing this?

Avid Titler+ - The good, the not-so-good and the ugly...

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My first impressions of Titler+

- Wow great at last, over 20 years after Unicode became a standard, we at last have a modern Title Tool, rewritten, with a modern(ish) interface.  So I can add titles in all scripts, with diacritics, in Cyrillic, in arabic…. No more fiddling around with photoshop, exporting, importing. Hurray!

- Toolbox nicely laid out. Not too many bells and whistles which are unnecessary most of the time.  For fancy 3D titles I’ll use another tool - here we have a modernised replacement for the old Title tool, usable for lower thirds, simple static text and end-credits (the primary uses of the Title tool) with the possibility for soft discreet shadows which are very important.

- It is directly accessible from within the timeline, no second window, no plugins, it is integrated.

Great work…

But then I started to use it….

 

OK, now I expect a few issues after all this is a first release (but not an alpha version), a few unforeseen use cases etc….  What I found to be honest disappoints me greatly. Certainly my expectations were high, expecting not only a slick, easy to use welcome update of the >20 year old Title tool for the final year of the decade, but with the niggles with the old title tool sorted out (that came up very frequently and well known amongst seasoned editors and AEs), namely:

1. Possibility to add left, center and right justifying tab-stops allowing two column rolling titles (for end-credits).  

2. The possibility to copy and paste images into rolling titles (used to work reliably a long time ago…)

3. The possibility to export all titles on a track as text with timecode (as is possible with subcap) for reports required by production (would be fantastic)

4. Full Unicode ie. accented / non-latin character / right-to-left support.

5. Or maybe even something amazing like importing an RTF file making a rolling title with tabs, images, fonts…  or constraining vertical movement in rolling credits to a fixed number of pixels to avoid flicker… I digress… :-)

The impression I have is that it was not thought out from a user perspective, the result is nowhere near as intuitive as it should be for software today. 

In a sentence, Titler+ -  it is a bit like a sliding door with a pull-handle and a sign saying Push…. ;(

 

So here we go : 

a) You click in the monitor, a caret appears, you can type.  Double click a dotted border appears, so far so good.  All is nice and works as expected.  A good start.  It has an ugly black drop shadow that I’d prefer off by default, but I can turn it off. Fine. Looks good so far.

b) Click on the T in the Titler+ « toolbox », you get a square - You type and the square doesn’t change size, the text overflows - no wrapping….  No means (that I found) to have a text area that will wrap, not that it’s that important but the UI leads to expect that behaviour.  Resize the square and the text changes size, but the square is still smaller than the text???  Can’t change the size of the square without deforming the text.  It turns out the T creates a text layer (zone) not simply allowing text to be added, this is unclear….. hmmm it’s starting to feel a bit quirky……

c) Playing around with it I understand that there seems to be two types of ‘object’ - a ‘layer’ = zone that is created in the safe area that you can resize, resizing all the ‘child’ objects ..  and text created by clicking, making ‘child’ objects of a layer….. Phew…. Seems far too complicated and unclear - problem with nomenclature and UI.  Maybe reduce opacity on all other layers other than the selected one to indicate the current layer, but still UI badly thought out.

The whole layer / text object concept is very unclear in use - should be straightforward and evident.  I create a text object and that should be it, they have an order that I can change. Rather than have confusing layers (this is an implementation detail that should be hidden from me), allow me rather to group objects together, with safe-area guides as before.  I should be able to group and ungroup text or graphic elements and reorder them at will.  Or keep all objects independent as in the old Title tool.  The parameters in « layer » - position, scale, rotation, skew should simply apply to the current object or group, with the possibility for global positioning/scaling.  Simple and easy to understand, and closer to the way much other software operates.  No need to have layers, particularly as the UI has no window showing the hierarchy of objects and what layers exist (justified in eg. Photoshop but not here).  Something reminds me of TitleDeko with less UI... hmmm...

d) Can’t get rolling titles to work for the life of me…. That is to say…. No vertical scroll bar.   Rolling titles are used 99% of the time for end-credits, which are typically 10-20 times the height of the frame.   I can see the rest by moving the position in the clip and selecting ‘effect mode’ in the effect editor, but then I can’t edit.  And « Effect mode » in the effect palette this doesn’t mean anything at all!! I am in effect mode..!!  This is misnamed.  « Preview » maybe?  And there is no none, just Crawl, roll etc... Not clear.

e) The relationship between the effect palette and the titles is unclear.  Eg. Select a few characters, layer/scale has no effect as it only applies to layers (zones) (no visual cue as to which parameters apply), Layer/Add Text adds a new independant Text Layer, not text within a layer…. Should be named Layer/ Add text layer…     I understand the principle, but there is a problem of organisation and naming, making it very unintuitive (related to c)

f) The mixture of parameters that apply to the currently selected layer and operations‘select layers’, ‘add text’ in the same place is misleading and seems poor design.  Effect palette should be essentially for parameters and related operations, especially as there is a dedicated toolbox window with this effect for everything else - much more convenient (great that they this is the first AVX2 effect with a dedicated interface - everything does not have to be shoehorned into the effect palette). Also no means to add a tracker as was possible previously.

g) Accented characters can not be inputted from the keyboard.  É, ç à from the keyboard are ignored.  This wasn’t tested it would seem with non-US keyboards (I’m on MacOS 10.12…6, with a French keyboard).  But you can copy and paste anything you like including non-latin and right to left scripts, which is great news.

h) Selection of text.  Every text editor, be it in Word, Photoshop, Title tool… changes the background of selected text…. Here, you get a confusing rectangle, making you think that you have created an new object….  The difference between a click creating a new object and selecting an existing object is not always correctly handled -> there should be an arrow tool for selecting and a text tool for creating/editing and a way to make the caret disappear.  Feels quirky.

i) No means to select and align multiple text objects (left, right, center), a) with respect to each other and b) within the frame.  Multiple object selection impossible via Cmd+click or Shift+click.

j) Select previous/next layer icons look like alignment icons….

k) Resizing of rectangles should be unconstrained by default, and aspect constrained with shift.  The opposite is the case.

l) No polygons (often useful for basic lower thirds), or lines (there is a convention in France to place a large full frame cross 240f before FFOA - line tool useful).

m) Tools/Avid title+ refers merely to the tool palette, allowing you to find if it is hidden behind other windows.   This is not clear.  Does nothing in Src/Rec mode.

n) To create a title you need to drag+drop from the effect editor, add title in the timeline doesn’t always work (either no response or ERROR: unable to add an Avid Titler+ effect) - impossible to create a title as the only thing in the sequence as you can’t create the space in the timeline to drop the effect.

o) Alt+Cmd after Cmd+L to move around doesn’t bring up the hand cursor (but still works - this is a minor issue)

p) The two icons in the top-right of the effect palette (drag points, select areas) are identical, wasn’t able to figure out what they do. Related to (f) - if is changes interaction with the objects in the monitor it should be in the toolbox.

q) With my developer hat on, under the hood, looking at the AAF, for interoperability... doesn't look amazing... some of the data (text/font names) is hidden as "Private data" in a proprietary binary format (seemingly confirming some TitleDeko heritage...), the rest is as AAF Constant Values, with many repeated property names.  Maybe just use XML as a text value, that other downstream software can parse and use.  Avid (and other companies) uses XML elsewhere in AAF (and MXF for that matter) where things don't easily fit in to the AAF datamodel. Interoperability is what sets Avid apart and where other systems fall way short.  AAF is documented - everything is there, once other manufacturers properly implement import (not always the case) - a clear interface that is easily parsed reduces bug probablity elsewhere. 

 

You sort of get used to how it operates, but it is very very quirky.  The Avid design team should put someone who has never used the Title+ tool but with experience of editing software as a user and observe how they get on without a manual - a lot would be learned….   It practically breaks most UI rules in the book…. Poor affordance, hidden hierarchy, no feedback from some user operations, unconventional behaviour.  Yet it was certainly beta-tested…  (eg. with respect to the accented character issue reproduced on two machines - no French beta testers???)

Maybe I’m a bit harsh, but I do think that the first impression that you have on these sorts of things is the right one.  It is possible that some of the things I was unable to do, are in fact possible - but this is the point, it should be intuitive - the manual should not be necessary, not for something as straightforward as this.   I teach in a film school and using this, I’m thinking, this is going to be a fun one to explain to first-time users….  :-(

It is a pity that with this opportunity to rethink things from scratch we didn’t get better than this.  Should be clean, well thought out and elegant.  

Don’t get me wrong, I’m testing out the other features of 2018.12 and so far very impressed, not least the possibility to make a multigroup from a sequence AT LAST with cameras that start and stop whenever!!! Super work Avid!!  but this titler….. :-(

Curious to see what everyone else makes of it!

Janusz 

Media Composer 2020.5 size to fit export option

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Hello everyboy I can't see the old "size to fit" option while exporting. I am working on a 2k project and I need to export HD 1920x1080 quicktimes. I usually use the size to fit option to mantain the correct aspect ratio.

Anybody knows how to solve this?

Thank you

Stefano

Sony EX1 footage into Avid

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Yes, that old Sony EX1 XDCAM-EX 35MB HD Footage.

I'm editing a documentary that has been filming for the past seven years. The earlier footage was shot on Sony EX1 (1080i50), and I can't import/transcode the footage into Avid MC successfuly.

I have Avid 2020.5 on Mac OSX 10.14.6.

The clips cannot be imported, and no AMA plugin even recognised the footage except MediaReactor. MediaReactor used only one audio track (and doubled it) and completely ignored A2 track, which makes the footage unusable.

Searching the web I found old and not applicable solutions at the current OS I have (i.e. all of sony applications to deal with the matter).

What can I do?

Future macOS Roadmap?

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Avid folks, is there any roadmap you can share with us that will fill us in on when we can safely upgrade past Mojave to a version of MC without compromises? From what I've read on the boards 2020.5 doesn't seem to cut it for serious work on a broadcast show due to several limitations. If anyone's using it in a high pressure environment with multiple AE's and editors with no issues plz let me know. For instance I don't know of any TV post house in NYC that's updated to the 2019 version, let alone 2020.

Now that Apple is moving on to OS 11 (bye bye X) and their new processor architecture, will Avid be keeping up? I was kind of hoping for some sort of big announcement from Avid today that they just couldn't say until Apple officially announced the transition.

Avid is the only piece of software I use that has made me have to stay a year behind on OS updates and now I'm afraid it will go longer.

Reading the latest updates to the Titler+ thread on here make me worry.

MC 2018.12.10 - Timelapse imported, black screen

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Hi all, I'm working from home, remoting into the office. Both Avids are 2018.12.10. Has anyone seen this issue? I imported timelapse jpgs on the work computer. Everything was fine. I brought the media to my house on a drive. Everything still fine. The next day on my work computer, the timelapse clips were online but they are black in the Source monitor. All of them. Can't see them but they're not offline; just a black source monitor. At my home they are fine, but at work, no. I looked for the master clips in Media Tool and they were there but also just a black screen. When I select all the clips and push delete, it says "Delete selected master clips" but there's no option for "Deleting associated media", which is weird.  We upgraded our Nexis, in case this was the issue but it didn't fix it. I ended up just re-importing all the timelapses.

best way to downconvert 4K to AVC-Intra 100 (so I can edit in HD)

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Hi there,

Can anyone recommend the best way for me to downconvert 10TB of 4K footage (yes, it's a lot) to HD, so I can edit it using my old Mac Pro?

I'm thinking I should downconvert to AVC-Intra 100 because that's what I've been using in Media Composer, it seems to me.

I'm hoping there's a software solution that isn't too expensive.

Regards, Malcolm


Apples move away from Intel CPUs to ARM

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So in 2 years Apple computers will be running ARM CPUs not intel.

That will require a seperate code base for Media composer as well as the Intel code base.

The rossetta translation or any sort of emulation just won't cut it for a piece of software that has to work directly with the hardware.

Also as Thunderbolt is Intel based its looking like Apple TB will be dropped for USB4.

So whats the future of Mac in editing with MC?

Answers on a post card (or just reply here)

Find Bin improvement

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I normally use the “Find Bin” button to get into the bin of the scene which I’m editing, it’s a quick shortcut that avoids me always to scroll into the project. I think I’m not the only one to use this workaround, and it’s common for editors when you have many bins and folders in your project to open when you work on a scene (sfx, music, sync clips, etc).

In these new redisigned releases, 2019.6 and 2020.4, I was expecting that the “Find Bin” command would make it to appear into the bin container instead of opening it outside. In such a way, the idea of gathering all  bins into one container fails, and you eventually finish to have a monitor filled with bins at the end of a working day.

Can this be corrected, so that the "find bin" opens the Bin INTO the bin container and not outside?

thx

Alessio

54.94 footage with audio recorded at 29.97

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I have been doing a show for the last couple of years where my audio guy uses tentacle to place TC in one of our audio channels. This has worked great in the past but we were only shooting in 29.97. This year I decided to shoot in 54.94. When I get avid to read audio timecode it comes out 2x faster that the audio tracks timecode because I can only import the audio track at 29.97. Is there anyway around this past syncing by mark in?

 

Converting a DNx Mov to a pre-UME version on Mojave.

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With my new Mac being Mojave only I am forced to export Quicktimes that require the new codec pack. 

How can I make a conversion (posibly using external software) to the older codec format so my clients can use my files? 

The conversion must again happen on my Mojave system.

Is this posssible?

2020.6 fix for longstanding linking problem on network shares?

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With evey new release of Media Composer I cross my fingers that this problem is finaly resolved.  The issue is:

This is a known issue and was logged as bug MCCET-3207 | %20 is replacing spaces in UNC and NAS paths in the source browser.

The Engineering team is still working on a fix for this, I'll keep you updated with regards to its progress.

In the meantime, please use 2018.11 as it is the last known working version.


Has this been resolved in 2020.6?  I thought maybe with the new linking engine things might get fixed.  This is a major problem and I don't understand how it has been with the software for years now and it is still not addressed.  I really want to to upgrade to a more recent version of Media Composer, but this bug makes it impossible.  Any information on if and when this will be fixed would be grealy appreciated.

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